The Slow Art of Film in Motion

Working with 35 mm film and Super 8 means surrendering to unpredictability grain, texture, and light that refuse to hurry.

Each roll and reel carries stories from Tasmania. Super 8 adds motion to those still moments: the wind through linen, the soft movement of a hand, the pulse of a day unfolding.

Digital shows you what happened.
Film reminds you how it felt.

Here, the light is slower and both 35 mm and Super 8 understand it perfectly.

Super 8 captures 18–24 frames per second, each frame its own tiny photograph in motion.
That’s why Super 8 films feel alive with grainy textures, soft colour palettes, occasional light leaks, and a gentle hum of nostalgia.

Today, Super 8 is having a resurgence because it offers what digital can’t replicate. Genuine authentic motion and a handmade look that feels like memory.

Each reel is finite (about two or three minutes of footage), so every second is intentional. Its slow storytelling at its purest.

Super 8 isn’t about perfection it’s about presence. It records how a moment felt, not how it looked.